Etching Class

After making arrangements to study etching with Eric Thomson at the Santa Fe Etching Club at Argos Gallery/Studio in Santa Fe, I showed up for my first lesson expecting just a brief history of etching and printmaking. I got that and much more.

Eric, having just given me a brief explanation of the different kinds of intaglio print techniques, told me to make a drawing so we could make a “soft ground” etching. After about 30 seconds of thoughtful contemplation and panic I traced the shape of a business card on the drawing paper Eric gave me and sketched a female figure (top-left).

Next I traced the image onto tracing paper (top-right), which I placed on top of a copper plate that we prepared and covered with a very thin “soft ground” wax coating. I then retraced the image, through the tracing paper, onto the prepared copper plate. The copper plate was placed in an acid solution for 30 minutes, which etched the image into the copper where pencil pressure had been applied. We prepared a sheet of paper (soaked it in water), cleaned the copper plate (bottom-left), inked it, placed the prepared paper and plate on the press, and printed my first ever etching (bottom-right).

Just one afternoon of etching and I’m hooked.

And I learned a valuable lesson: Don't go to an etching studio without a drawing or two. You just never know if a chance to make an etching will happen or not.

 

Pigtails

Pigtails

One Leg Up

Studio Pillow

Twenty artists attended SFdrawing yesterday, better known as the Tuesday Night Drawing Group. 

We have an official maximum limit of 12 attendees, but only a handful of people ever bother to  RSVP through our Meetup site, www.meetup.com/SFdrawing. Since everyone so far has been able to squeeze in, we haven’t tried to enforce the attendance limit. 

We never know exactly how many artist will show up. We do, however, after each Tuesday night session, post the actual attendance of that night on Meetup.com. 

Pretty amazing that a little over a year and a half ago when we launched the Meetup.com site, weekly attendance was around 6 artists. Sometimes less. So I guess these are the SFdrawing Glory Days. 

Hair and Shadow

Letting Her Hair Down

Shadow

Drowsy Muse

Drowsy Muse
28" x 30"
Digital print on aluminum

A limited edition print that originated as a charcoal-on-newsprint life drawing made at the Three Muses Drawing Extravaganza last Saturday at the Center for Contemporary Art (CCA).

The quote is from Love’s Labour’s Lost:

And when Love speaks, the voice of all the gods makes heaven drowsy with the harmony.
Never durst poet touch a pen to write until his ink were temper’d with Love’s sighs

Three Muses Drawing Event

Muse Resting

Muse Waiting

Sleepy Muse

The Three Muses Drawing Extravaganza that we've been planning for a couple of months happened last Saturday night at the Center for Contemporary Art (CCA) in Santa Fe. Three models posing simultaneously for four hours. I don’t have the official attendance numbers, but there were between 35 and 40 participants. Great models, lots of drawings, and everyone seemed to be very happy with the event. Drawing after hours in a huge gallery space was a special treat.

Half way through the event we had a 20-minute break during which several of us put one of our drawings up on a magnetic wall. So now I can claim that I exhibited at the Muñoz Waxman Gallery on October 25, 2014. For a couple of hours.

More Red Hair Poses

Red Hair

Woman with Red Hair

Attendance continues to be near capacity at our Tuesday night drawing group with 14 artists showing up last night. After struggling all night with mediocre sketching efforts, I ditched the idea of trying to do a “good” drawing and just went for “bold and stylized.”

Very Red

Arm Shadow

Arm Shadow
Charcoal on newsprint
24" x 18"

I'm getting some drawings ready for a show of nudes early next year. I might include some charcoal-on-newsprint originals, but most pieces will be images that originated as charcoal-on-newsprint life drawings, enhanced digitally, then made into limited edition prints on paper, canvas, or aluminum.

Meanwhile, a big life drawing event happens this Saturday in Santa Fe at the Center for Contemporary Art, in the Munoz Waxman Gallery: Three Muses Drawing Extravaganza. 

Three models, 4 hours, with light refreshments, $18/artist. 

Around 45 artists have responded so it should be a great event. It might be the first of its kind in Santa Fe, as far as I know. I've been to all-day events like this in London, with a dozen or more models posing at once. 

So, I hereby proclaim Santa Fe to be the London of the Southwest.

For more information about the CCA event, visit Argos Gallery's Three Muses web page.

Model With Earrings

Model With Earrings

Hair Down

Raven's Return

Since joining the Tuesday Night drawing group three years ago, other artists occasionally would say “Do you remember Raven? He moved to New York and is modeling there.”

I had this image of a wild and crazy guy with a great body, an interesting if not weird character who was a great model. When the model walked in to the gallery’s drawing space last Tuesday night I thought “Wow, interesting character. Braided beard. Wire-rimmed glasses. Muscular body. Tattoos.”  Yep, Raven. He’s in town temporarily and was filling in for a regular model who had to cancel.

Excellent model and an interesting evening of great poses. I mean, come on . . . the braided beard alone is pretty cool.

Skyline Sketch

This past weekend we made quick, two-night trip to San Francisco to attend a cousin’s wedding.

Since we stayed at the Doubletree Hotel at the Berkeley Marina, I decided I should do at least one boats-at-the-marina sketch. As we walked along the shoreline path I changed my mind and chose to sketch a view of the San Francisco skyline across the bay. I did manage to include one boat. And the old Oakland bridge which is being dismantled (the steel is being sold to China). And the new Oakland bridge. And a duck.

So What

YouTube Andy
Digital print on aluminum
60" x 80"

After leaving San Francisco and returning home to Santa Fe something made me think of Andy Warhol and I found several documentaries about him on YouTube. For the next couple of days I worked on images inspired by the video but was mostly inspired by his unapologetic attitude about his art. As critics analyzed, criticized, and scrutinized his work, he seemed totally oblivious (publicly, at least) to the art world's opinion.

When asked why he copied things instead of creating something original, he said “Because... this is easier.”

When someone suggested “So you're just playing a joke on everyone?” he responded “Uh, no... it gives me something to do.”

I grabbed a video frame in the YouTube player and made four panels, each one 40" wide and 30" deep. Next they’ll be digitally printed on aluminum with a high gloss finish to simulate viewing video on a computer screen. Then they will be assembled together to create a single piece that measures 80" wide and 60" deep.

If Andy Warhol was still with us, would he be working digitally? I think so. If critics didn't like that, he would probably have a typical Warhol reaction of “So what?”

So, when someone says to me “You’re copying instead of creating something new,” I can say “So what? It gives me something to do.” Besides, Andy never put a red progress bar on his images.

Pose Montage

A montage of poses from last Tuesday night’s drawing group. 

22 artists attended. That’s close to a record for our group in recent years. Word-of-mouth plus an online presence at Meetup.com/SFdrawing has added a lot of awareness and interest about the group. 

Three of our favorite models, including this one, are also going to be the models for an upcoming special drawing event at CCA (Center for Contemporary Arts) here in Santa Fe on October 25, 2014: Three Muses Drawing Extravaganza. 

Learn more about the Three Muses event.

San Francisco and Beyond

We've been in the San Francisco area for almost a week, staying and playing in the Fisherman's Wharf area and North Beach. While Robin was busy working (making a video for Peachpit Press about her principles of design, based on her book The Non-Designer's Design Book), I wandered about, took photos, and sketched. After four days of seafood, wine, and sketching in San Francisco we took the Vallejo ferry to the north side of the bay and drove to Yountville, just south of Napa, to spend several days with Robin's mother.

More food, wine, and sketching still in progress.

The Grape Crusher
Monumental bronze statue in Napa Valley, just south of Napa on Highway 29
Bronze poured at Shidoni Foundry, Santa Fe, New Mexico 

Large stone fountain in Levi’s Plaza, North Beach, a block from the Embarcadero.
Location of Peachpit Press offices

Coit Tower from Levi’s Plaza.

A Pose or a Break?

Is this a pose or a break between poses? Sometimes it’s hard to tell. I mean that in a good way. 

A Pose or a Break?
Charcoal on paper

Woman on Bathrobe

Posing On Her Bathrobe
Charcoal on newsprint

Fast Sketch
Charcoal on newsprint

Cuban

A stylized interpretation from one of the recent life drawing poses at Argos Gallery.

Cuban Model

Matisse Influence

Matisse-inspired print, at least in its spirit of simplicity.

Thinking About Matisse
22" x 36"

Relaxing

Relaxing in a Gallery
Charcoal on newsprint

Tuesday Night

A digital print on aluminum from a recent Tuesday night life drawing session. I’ll also use this image to promote our Tuesday night Santa Fe Drawing group. Along with a batch of Santa Fe Drawing wristbands I had made, just for fun.

Tuesday Night
Digital print on aluminum
28" x 24"

The Official Tuesday Night Santa Fe Drawing Wristband
was gifted to the artists who attended last Tuesday night's drawing session.

Digital sketch